It’s late afternoon when I arrive at the Operaparken — a 5.3-acre verdant oasis and a marvel of landscape architecture.
To see the city from this vantage point is to see in its entirety — spread out serenely along the horizon in the stark afternoon light. Somehow, its storied past and present have magically arranged themselves in front of us, like students lined up for a class photo. There’s the modern, glass-encased façade of the Royal Danish Playhouse, and there’s the copper green domed head of Frederik’s Church, peering from the back row. Canal cruises, jet skis, and motor boats drift down the harbor, churning fat white curls in the sun-speckled water.
When it comes to scenic locations, OpéraSPORT sure knows how to pick ’em. Am I surprised by the selection, though? Not one iota. We were almost here last season — just a three-minute walk away — at the Copenhagen Opera House, where the brand hosted its fall-winter show. It’s an obvious, if not on the nose, choice for OpéraSPORT, which has drama, performance, and theater built into its name. The show, set inside the building’s glass-enclosed space, had moments of sheer beauty that I still remember now as we ready ourselves for the show to start.
“He came from the sunset … He came from the sea,” we hear the smooth, rich crooning voice of actress Bonnie Beecher diffuse into a melancholic hum as the models step onto the runway, weaving through the park’s organically shaped green beds. These first few looks are purely OpéraSPORT. Easy-but-elevated dresses, shaping gently to the body. Reruns of off-set, asymmetrical necklines and ruched detailing snaking up and down. A smattering of denim, most notably a pair of stellar capris.