With windblown cheeks and cold-induced tears, I shuffle along with the crowd into the warmth of Politiken Hus’ historic building.
We make our way down a wide staircase and into a sprawling, warehouse-like event space. I take a moment for my mind to unfreeze before taking it all in: the traffic-yellow floor markings, paint-splattered center beams, and meaty exposed pipes running along its walls. Displayed throughout, I spot some peculiar sculptures by Sweden-based artist Kajsa Willner: furniture pieces made from small wooden blocks resembling legos and others with scraps of overlapping leather.
The artist’s “continuous questioning and challenging approach align with the continual process of ‘surrender’ and following one’s true journey,” according to the press release. “Journey” is a good word to describe Won Hundred’s fall-winter 2024 show at Copenhagen Fashion Week, titled “Surrender.” A journey into its past. A journey into its heritage, house codes, and evolution. A journey into the present, and subsequently, into the future. This is my first Won Hundred show — and what a great one to start with.
Not too long after settling into our spots along the perimeter of the room, lights dim and heads turn toward the first look to step onto the runway: a long, calf-grazing coat buttoned only at the collar, revealing a pair of heroic-blue denim pants. Shoulders are rounded, and the silhouette is structured yet effortless. The model embodies that cool-girl attitude to the core, short hair slicked down the middle, a pair of jet-black shades sitting on the bridge of her nose. She walks with a don’t-mess-with-me matter-of-factness.
Right off the bat, the look is an immediate hit — and also, a visual distillation of what Copenhagen-based Won Hundred is all about.